Yeh Dil Har Pal Tumhe Yaad Karta hai,
Jab Bhi Saansen Leta Hoon,
To Khawaab Tumhare Saath Ho.
Jaise Kheton Mein Basi Fasal Ki Aage Ki Maang Ho Tum,
Dil Ki Dhadakanon Ki Dhadakan, Tumhari Awaaz ho.
ये दिल हर पल तुम्हें याद करता है,
जब भी सांसें लेता हूँ, तो ख्वाब तुम्हारे साथ हो।
जैसे खेतों में बसी फ़सल की आगे की मांग हो तुम,
दिल की धड़कनों की धड़कन, तुम्हारी आवाज़ हो।
This heart remembers you every moment,
Whenever I breathe, the dream is with you.
You are like the next demand of the crops growing in the fields,
The beat of heartbeats, let it be your voice.
Is kavita mein ek vyakti ke mann ki gehraayi aur uske dil ke ehsaas ko vyakti kiya gaya hai. Har shabd mein ek gahra prem, samarpan, aur vishwas chhupa hai, jo apne priye vyakti ke prati vyakti ke anubhav ko prakat karta hai. Is kavita ke madhyam se vyakti ke dil aur uske jeevan ke har kshann ka prabhav priye vyakti par kaise hai, isse spasht roop se darsaya gaya hai. Har pankti mein prem ka ek naya roop, ek naya bhaav vyakti hota hai, jo apne astitva mein adbhut aur gehra hai.
Aayiye, is kavita ke har ansh ko vistaar se samajhne ka prayas karte hain.
Pehla Ansh:
“Yeh Dil Har Pal Tumhe Yaad Karta Hai”
Is pankti mein vyakti apne priye ke prati apne mann ke gehre ehsaas ko vyakti karta hai. Jab koi vyakti kisi se gehra prem karta hai, toh uska priye vyakti hamesha uske manasik sthiti mein chhaya rehta hai. “Har pal” ka matlab hai ki ek bhi kshann aisa nahi guzarta jab us vyakti ko apne priye ki yaad na aaye. Yeh yaadein vyakti ke mann ka hissa ban jati hain, aur woh yaadon mein apne priye ko har samay apne paas mehsoos karta hai.
Yahaan “dil” ka arth hai vyakti ke andar ka sabse gehra srot, jisme uske sabhi bhaav aur anubhav hote hain. Jab vyakti apne priye ki yaad karta hai, toh yeh yaadein sirf mann ke star tak seemit nahi rehti, balki yeh dil ke gehraayi tak pahuchti hain. “Yaad karna” yeh batata hai ki yeh yaadein vyakti ke liye kitni mahatvapurn hain. Yeh pankti yeh darsati hai ki prem mein ek vyakti ka dil uske priye vyakti ke bina adhoora mehsoos karta hai, aur har kshann us priye vyakti ko apne paas chahne ki ichcha karta hai.
Is pankti ke madhyam se yeh bhi spasht hota hai ki vyakti ke jeevan ka mahatvapurn hissa uske priye vyakti ke ird-gird ghoomta hai. Har pal priye vyakti ke prati yaadon mein dooba rehna, prem ke gehre anubhav ko vyakti karta hai. Prem mein, yaadein sirf ek anubhav nahi hoti, balki ek jeevant sthiti hoti hai jisme vyakti apne priye ko har samay apne paas mehsoos karta hai.
Dusra Ansh:
“Jab Bhi Saansen Leta Hoon, To Khawaab Tumhare Saath Ho”
Yeh pankti prem ke ek aur gehre roop ko vyakti karti hai. Is pankti mein vyakti yeh batata hai ki uska jeevan ka har kshann, har saans sirf uske priye vyakti ke saath juda hua hai. Saans lena jeevan ka ek mahatvapurn aur aavashyak kriya hai, aur yeh pankti yeh batati hai ki vyakti ke liye priye vyakti ka astitva uske jeevan ke liye utna hi mahatvapurn hai jitna saans lena.
“Khawaab tumhare saath ho” ka matlab hai ki vyakti ka har sapna, har kalpana sirf uske priye vyakti se judi hui hai. Jab vyakti saans leta hai, toh uske man mein jo khwaab aate hain, woh sab uske priye se sambandhit hote hain. Yeh batata hai ki prem mein vyakti apne priye ke bina kisi aur cheez ka kalpana nahi kar sakta. Priye ke bina uska jeevan aur uske sapne adhoore hain.
Yahaan “saans” aur “khawaab” ka pratyek shabd vyakti ke prem ki gahraayi ko vyakti karta hai. Prem mein, vyakti ka jeevan aur uske sapne donon priye vyakti ke bina adhoore mehsoos hote hain. Jab vyakti apne priye ke baare mein sochta hai, toh uske man mein ek khushi aur sukoon ka ehsaas hota hai, jo uske jeevan ka mahatvapurn hissa ban jata hai. Yeh pankti yeh dikhati hai ki prem ka bandhan itna gahra hota hai ki vyakti apne priye ke bina jeevan ke kisi bhi pal ka anand nahi le sakta.
Teesra Ansh:
“Jaise Kheton Mein Basi Fasal Ki Aage Ki Maang Ho Tum”
Is pankti mein ek prateek ka upyog kiya gaya hai, jisme priye vyakti ko kheton mein basi fasal ke roop mein dikhaya gaya hai. Fasal ka arth hai jeevan ki unnati aur vriddhi, aur yahaan priye vyakti ko us fasal ke roop mein vyakti kiya gaya hai jise vyakti apne jeevan mein chahata hai. “Aage ki maang” ka matlab hai vyakti ki ichcha aur apeksha jo uske priye vyakti se judi hui hai. Jaise ek kisaan apni fasal ke liye pratiksha karta hai, waise hi prem mein vyakti apne priye vyakti ke liye pratiksha karta hai.
Is pankti mein “kheton mein basi fasal” ka pratyek ek pratik hai jeevan ke unnati ka. Fasal ek jeevan ka srot hoti hai, jo kisaan ke liye khushi aur jeevan ka prateek hoti hai. Isi tarah se, priye vyakti vyakti ke jeevan mein unnati, khushi aur sukh ka prateek hai. Vyakti apne priye vyakti ke bina jeevan ko adhoora mehsoos karta hai, aur uska priye vyakti uske jeevan ki unnati ke liye avashyak hai.
Yeh pankti yeh darsati hai ki prem mein vyakti apne priye vyakti ko apne jeevan ka mahatvapurn hissa maanta hai, jo uske jeevan ki unnati aur khushi ke liye avashyak hai. Jaise fasal bina kisaan ke adhoori hoti hai, waise hi prem mein vyakti apne priye ke bina apne jeevan ko adhoora mehsoos karta hai.
Chautha Ansh:
“Dil Ki Dhadkanon Ki Dhadakan, Tumhari Awaaz Ho”
Is pankti mein vyakti apne priye vyakti ko apne dil ki dhadkan ke roop mein vyakti karta hai. Dhadkan jeevan ka prateek hai, aur yahaan yeh bataya gaya hai ki priye vyakti vyakti ke jeevan ke liye utna hi mahatvapurn hai jitna uske dil ki dhadkan. “Tumhari awaaz” ka arth hai ki priye vyakti ka astitva vyakti ke jeevan ka kendriya bindu hai. Jab priye vyakti bolta hai, toh uski awaaz vyakti ke dil ki dhadkan ke roop mein hoti hai.
Is pankti mein prem ke bandhan ka ek adbhut roop dikhaya gaya hai, jisme vyakti apne priye ko apne jeevan ka sabse mahatvapurn hissa maanta hai. “Dil ki dhadkanon ki dhadkan” ka matlab hai ki priye vyakti ke bina vyakti ka jeevan shunya hai. Prem mein, vyakti apne priye ki awaaz ko apne jeevan ki prerna ke roop mein leta hai. Jab priye vyakti bolta hai, toh uske shabdon ka prabhav vyakti ke dil par hota hai, aur woh shabd uske jeevan ka ek mahatvapurn hissa ban jate hain.
Yeh pankti yeh dikhati hai ki prem mein ek vyakti doosre vyakti ke astitva ko apne jeevan ke har pehlu mein mehsoos karta hai. Priye vyakti ke bina, vyakti ka jeevan adhoora hota hai, aur uske jeevan ka sabse mahatvapurn hissa us priye vyakti ke ird-gird ghoomta hai. Priye ki awaaz uske liye jeevan ki dhadkan hai, jo uske jeevan ko chalati hai.
Vishleshan:
Is kavita ke madhyam se ek gahra prem aur samarpan vyakti hota hai. Puri kavita mein prem ke har pehlu ko dikhaya gaya hai, jisme ek vyakti apne priye ke bina jeevan ko adhoora mehsoos karta hai. Har pankti mein vyakti ke manasik aur bhaavnatmak sthiti ka prabhav dikhayi deta hai
, jisme uska jeevan sirf uske priye ke ird-gird ghoomta hai.
Yeh kavita yeh batati hai ki prem mein vyakti apne priye ko apne jeevan ka kendriya bindu maanta hai. Har kshann, har saans, aur har sapna priye vyakti ke saath juda hota hai. Prem mein, vyakti apne priye ke bina apne jeevan ka koi mahatvapurn arth nahi dekh pata. Priye ke bina, vyakti ka jeevan adhoora aur vyarth mehsoos hota hai.
Is kavita ka prateeksha yeh hai ki prem mein ek vyakti doosre vyakti ke prati poori tarah se samarpit hota hai, aur uske bina uska jeevan vyarth ho jata hai.
Zindagi ki kahaniyan shayari ke rang mein naye aayine paati hain. Ye kuch lafzon ki jadoo se jaise ruhaniyat ka ek safar shuru hota hai. “Yeh Dil Har Pal Tumhe Yaad Karta Hai”. Yeh kavitva mujhe ek aise dil se judi mehsoosat ka ehsaas dilati hai. Jahan har sans, har pal, sirf us ek shakhs ko yaad karne ke liye beqaraar hota hai.
Is shayari mein chhupi gehraiyan aur ehsaasat ka izhaar ek anokhi dastaan sunate hain. Dil, jo har dhadkan mein sirf us ek shakhs ka naam leta hai. Jise yaad karna uske liye zaroorat se zyada zaroori ho gaya hai. Saanso ke har jhonke mein, unki khayalon ka jadoo mahsoos hota hai. Jaise ki unki maujoodgi hi zindagi ka maqsad ban gayi ho.
Shayari
“Jab Bhi Saansen Leta Hoon, To Khawaab Tumhare Saath Ho”. Yeh misra ek gehre rishte ki gehraaiyon ko chhoo leta hai. Har raat, har din, har pal, unki yaadon ka saya jaise ek chadar ki tarah odhta hai. Khwaabon ki duniya mein unke saath bitaye lamhe, jaise asliyat se bhi haqeeqat mein zyada hai.
“Jaise Kheton Mein Basi Fasal Ki Aage Ki Maang Ho Tum” – Shayar ki tasveer kheton ki fasalon ki tarah hai. Jaise kheton mein fasal ki har boond ko paani ki talab hoti hai. Waise hi dil ki har dhadkan unki awaaz ko mahsoos karti hai. Unki yaadon ki aage ki maang har pal mehsoos hoti hai, jaise ek behtar aur khubsurat kal ki talaash mein.
“Dil Ki Dhadakanon Ki Dhadakan, Tumhari Awaaz Ho”. Yeh misra shayari ke is gehre safar ko aur bhi gehra banata hai. Unki awaaz, unki hansi, unke jazbaat, sab kuch hai jaise dil ki dhadkane. Har dhadkan mein unki awaaz gunjti hai, jaise zindagi ka har rang unke saath rang raha hai.
Is shayari mein ek dil ka sukoon, ek aatma ka prem aur ek beinteha pyaar chhupa hua hai. Yeh lafz nahi, balki jazbaat hain jo har shayar ke jazbaat se judi hui ek khoobsurat kahani sunate hain.
