Dard-e-dil ko bayan karne ki koshish ki hai,
Lafz kam pad gaye, ehsaas zyada reh gaye.
Har dard chupa hai is dil mein gehraiyon mein,
Khamoshiyon mein hi guzar jaate hain ye zakhm bhare pal.
दर्द-ए-दिल को बयान करने की कोशिश है,
लफ़्ज़ कम पड़ गए, एहसास ज़्यादा रह गए।
हर दर्द छुपा है इस दिल में गहराइयों में,
खामोशियों में ही गुज़र जाते हैं ये ज़ख्म भरे पल।
An attempt to express the pain of the heart,
Words fell short, feelings remained more.
Every pain is hidden deep in this heart,
These painful moments pass in silence.
Is kavita ke madhyam se vyakti ke dard aur jazbaat ki gehraayi ko prakat karne ka prayas kiya gaya hai. Kavita ka pratham vichar yeh hai ki vyakti ne apne dil ke dard ko lafzon mein vyakti karne ki koshish ki, lekin shabd us gehraayi ko vyakti karne mein nakafi sabit hue. Jazbaat aur dard itne gehre aur vyapak hote hain ki unhe kehna aur samjhana kathin ho jata hai. Lafz chhote pad jaate hain, lekin ehsaas aur dard ka bhoj vyakti ke dil par hamesha kaayam rehta hai.
Aayiye, is kavita ke har pankti ka vistaar se vishleshan karte hain, aur usmein chhupi gehraayi ko samajhte hain.
Pehla Ansh:
“Dard-e-dil ko bayan karne ki koshish ki hai”
Is pankti mein vyakti apne dil ke andar ke dard ko bahar nikalne ka, use lafzon ke madhyam se vyakti karne ka ek pratibimb prakat karta hai. “Dard-e-dil” ka arth hai vyakti ke dil ka dard, jo kisi gehre zakhm ya uljhan ka pratik ho sakta hai. Is dard ko bayaan karne ki ichcha vyakti ke mann mein hai, kyonki dard ko vyakti karne se vyakti ko mann ki halke pan ka ehsaas hota hai. Lekin yahaan “koshish ki hai” ka matlab hai ki vyakti ne apne dard ko kehne ka prayaas toh kiya, lekin shayad us dard ko poori tarah keh paana sambhav nahi hua.
Yeh pankti yeh dikhati hai ki vyakti ke dil mein dard bahut gehra hai, aur wo apne dard ko kisi ke saath baantna chahta hai. Koshish karna yahaan dard ke vyaktikaran ka pratik hai. Jab vyakti apne dard ko kisi ke saamne bayaan karta hai, toh uska mann halka hota hai, lekin kai baar aisa hota hai ki dard itna gehra hota hai ki use shabdon mein poori tarah se vyakti nahi kiya ja sakta. Yeh pankti vyakti ke antrik sangharsh ko prakat karti hai, jisme wo apne dard ko kehne ka prayaas kar raha hai, lekin uske jazbaat itne gehre hain ki wo lafzon mein bandh nahi paata.
Dard ko kehne ki koshish vyakti ke andar ke jazbaat ko bahar nikalne ki ek chhavi hai. Prem, dard, aur jazbaat aise anubhav hain jo vyakti ke mann ko prabhavit karte hain. Jab dard gehra ho, toh uska asar vyakti ke dil aur dimag par hota hai, aur wo apne ehsaas ko bayaan karne ke liye tarasta hai. Is pankti mein vyakti apne andar ke sangharsh aur dard ko vyakti kar raha hai, lekin us prayaas mein wo poori tarah safal nahi ho pa raha.
Dusra Ansh:
“Lafz kam pad gaye, ehsaas zyada reh gaye”
Is pankti mein kavita ke pramukh vichar ka vyaktikaran hota hai. “Lafz kam pad gaye” ka arth hai ki vyakti ne apne dard ko shabdon ke madhyam se vyakti karne ki koshish ki, lekin uske jazbaat aur dard ki gehraayi itni zyada thi ki usse kehne ke liye jo shabd chune gaye, wo nakafi sabit hue. “Ehsaas zyada reh gaye” ka matlab hai ki dard aur jazbaat itne gehre aur vyapak hain ki shabdon ke madhyam se unka poora vyaktikaran nahi ho paya. Jazbaat aur dard ka prabhav shabdon se pare hota hai.
Yeh pankti prem aur dard ke gehre anubhav ko vyakti karti hai. Jazbaat aur dard ke kuch ehsaas aise hote hain jo shabdon mein bandh nahi sakte. Jab vyakti kisi gehre prem ya dard ka anubhav karta hai, toh uske dil ke andar ke ehsaas lafzon ke pare hote hain. Lafz kabhi kabhi chhote pad jate hain, aur jazbaat unke liye bahut bade ban jate hain. Isliye, jab vyakti apne dard ko kehne ka prayaas karta hai, toh usse mehsoos hota hai ki uske jazbaat ka prabhav itna gehra hai ki shabdon mein wo sama nahi paa raha.
Yeh pankti yeh bhi dikhati hai ki prem aur dard ke kuch jazbaat sirf mehsoos kiye ja sakte hain, unhe lafzon ke madhyam se samjhaana kathin hota hai. Lafzon ka apna ek seemit kshetra hota hai, lekin jazbaat aur dard ka koi seema nahi hota. Jab vyakti apne jazbaat ko lafzon ke madhyam se vyakti karne ka prayaas karta hai, toh aksar usse yeh lagta hai ki uske jazbaat ki gehraayi shabdon ke roop mein poori tarah se nahi aati. Is pankti ka vichar yeh hai ki kuch jazbaat aur anubhav aise hote hain, jo lafzon mein vyakti nahi ho pate.
Teesra Ansh:
“Har dard chupa hai is dil mein gehraiyon mein”
Is pankti mein kavita ka mool bhav dard ki gehraayi ko vyakti kar raha hai. “Har dard chupa hai” ka arth hai ki vyakti ke dil mein kai dard aur zakhm chhupi hui hain, jo bahar se dikhayi nahi dete. Yeh dard gehre hain, aur unhe vyakti ne apne mann ke andar daba kar rakha hai. “Dil mein gehraiyon mein” ka matlab hai ki yeh dard vyakti ke dil ke andar, uske gehre mann ke kone mein samaye hue hain. Yeh dard vyakti ke dil aur mann mein chhup gaye hain, aur wo inhe kisi ke saamne vyakti nahi kar pa raha.
Yeh pankti vyakti ke andar ke dard ko prakat karti hai. Har vyakti ke jeevan mein kuch na kuch dard hote hain, jo uske mann ke andar chhup jaate hain. Yeh dard bahut gehre hote hain, aur unhe shabd ke madhyam se kehna kathin hota hai. Vyakti apne dard ko kabhi-kabhi apne andar dabakar rakhta hai, kyunki wo unhe kisi ke saamne vyakti nahi kar pata. Yeh pankti vyakti ke andar ke uljhan aur dard ke sangharsh ko dikhati hai, jisme wo apne jazbaat ko chhupakar rakhta hai, lekin wo us dard ko poori tarah vyakti nahi kar pa raha.
Yeh pankti yeh bhi dikhati hai ki vyakti ke dil mein dard ki gehraayi kitni zyada hoti hai. Dard ko vyakti ke mann mein chhupane se uska prabhav aur gehra hota jata hai. Jab vyakti apne dard ko bayaan nahi karta, toh wo dard uske dil aur mann mein gehraayi se sama jata hai. Isliye, yeh pankti yeh prakat karti hai ki dard ko chhupana vyakti ke mann par ek bhoj ban jata hai, aur wo dard vyakti ke jeevan mein ek gehra prabhav chhodta hai.
Chautha Ansh:
“Khamoshiyon mein hi guzar jaate hain ye zakhm bhare pal”
Is pankti mein dard aur zakhmon ke saath vyakti ke jeevan mein guzarne wale palon ko vyakti kiya gaya hai. “Khamoshiyon mein hi” ka matlab hai ki vyakti apne dard aur zakhmon ko apni khamoshi mein dabakar rakhta hai. Yeh dard aur zakhm itne gehre hote hain ki vyakti unhe kisi ke saamne vyakti nahi kar pata. “Zakhm bhare pal” ka arth hai wo lamhe jo vyakti ke jeevan mein dard aur dukh ke roop mein aate hain. Yeh lamhe vyakti ke liye kathin hote hain, lekin wo inhe apni khamoshi ke parde mein guzarne deta hai.
Yeh pankti yeh dikhati hai ki dard ke kuch pal aise hote hain, jo vyakti ke jeevan mein bina shabd ke guzar jaate hain. Vyakti apne dard aur zakhmon ko kisi ke saath baant nahi pata, aur wo unhe apne andar dabaakar rakhta hai. Jab vyakti apne dard ko vyakti nahi karta,
toh wo dard uske mann mein sama jata hai, aur khamoshi ke parde mein guzar jata hai. Yeh pankti vyakti ke andar ke sangharsh ko prakat karti hai, jisme wo apne dard ko apni khamoshi mein sama leta hai, aur uske jeevan ke wo kathin pal bina kisi shabd ke guzar jaate hain.
Yeh pankti yeh bhi dikhati hai ki dard ke kuch pal aise hote hain, jo bina kisi awaz ya vyaktikaran ke guzar jaate hain. Jab vyakti apne dard ko kisi ke saamne vyakti nahi karta, toh wo dard uske jeevan mein ek khamoshi ka prabhav chhodta hai. Zakhmon ke pal vyakti ke liye kathin hote hain, lekin jab unhe vyakti nahi kiya jata, toh wo pal khamoshi mein guzar jaate hain. Isliye, yeh pankti yeh prakat karti hai ki dard aur zakhm ke pal vyakti ke jeevan mein ek khamosh anubhav ban jaate hain, jo bina kisi shabd ke uske jeevan mein guzar jaate hain.
Vishleshan:
Is kavita mein vyakti ke dil ke dard, jazbaat aur uljhan ko prakat kiya gaya hai. Har pankti vyakti ke mann ke gehre dard aur uske vyaktikaran mein hone wali kathinaiyon ko prakat karti hai. Dard ko vyakti karna vyakti ke liye ek kathin kaam hota hai, kyonki jazbaat aur dard itne gehre hote hain ki unhe shabdon mein vyakti karna asambhav ho jata है.
“Dard-e-dil ko bayan karne ki koshish ki hai, lafz kam pad gaye, ehsaas zyada reh gaye.”
Yeh sher dil ki gehraiyon ko chhuna chahta hai, us anokhe ehsaas ko jo shabdon mein bayan nahi ho sakta. Har shayari, har geet dil ke jazbaat ko vyakt karne ki koshish karta hai, par kabhi-kabhi bhaavnaon ki gehraai lafzon mein sametna asambhav ho jaata hai.
Dard
Dard, jo dil mein chhupa hota hai, woh lafzon mein bandh nahi hota. Kabhi-kabhi humare andar ke dard itne gehre hote hain ki unhe bayan karna mushkil ho jaata hai. Ve chhupi hui khamoshiyon mein chhup kar reh jaate hain, jaise ki ek gehre samunder ke andar chhupa hua raaz.
Har insaan ke zindagi mein dard hota hai. Kuch dard toh zakhmon ki tarah hote hain jo dikhai dete hain, par kuch dard chhupi hui gahraiyon mein bas jaate hain. Ve khamoshiyon mein basi chubhanen, dil ki bekaraariyaan, aur ankahe raaz jinhe bayan karna lagbhag asambhav ho jaata hai.
Is sher kehte hain ki kai baar hamare dil ke dard, hamari khamoshiyon mein chhupi hoti hai. Hum shabdon mein unhe vyakt nahi kar paate par woh hamare andar chhupi zindagi ki gehraiyon ko shayari, kahaniyon, ya kala ke roop mein vyakt kar dete hain.
Dard-e-dil ko bayan karna ek kala hai. Kabhi-kabhi shabdon ki kami, ehsaas ko aur bhi gehra bana deti hai. Sher, gazal, ya kavita ke zariye kai baar hum apne dil ke dard ko vyakt karte hain, parantu uss dard ki gehraai, uss ehsaas ki rawaani ko pura bayan karna kabhi-kabhi mushkil ho jaata hai.
Is sher ke madhyam se vyakt ki gayi bhaavnaayein har kisi ke dil se judi hui lagti hain. Yeh dard ka bayan hai, jo shabdon se zyada gehra aur mahatvapurn hota hai.
